Ramsey Electronics Phone Patch Mixer Kit PPM3 Especificaciones Pagina 21

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3.4.2 The On-Air Studio
The On-Air Studio has a standard mixing console with 4 microphone inputs plus 2 telephone and 6
stereo line input modules as well as control and talkback facilities between control room and studio.
The studio is equipped with professional double CD players, cassette deck, 2 telephone hybrids,
monitor speakers, FM Tuner, and Output Sound Processor.
Fig.23: AEQ BC 500 Radio Mixing Console
We have selected the renowned modular
built AEQ BC 500 Mixing Console for this
purpose. The AEQ BC 500 – equivalent to
similar mixers from Soundcraft, Sonifex,
D&R, AEV etc - is a proven classic Radio
Console. Two Digital telephone hybrids for
On Air telephone interviews added from
Telos, which is a reliable USA
manufacturer.
An alternative could be the Soundcraft S10
console, which has all necessary talkback
and monitoring facilities for control-room
and Speakers-studio built into the console.
Please note that despite all the built-in
features it is essential that a professional
engineer installs the equipment on location.
The output of the on-air mixer passes through a sound processor (compressor/ limiter) before
reaching the transmitter in order to ensure the best possible output performance with no distortions
of the various links in the transmission chain, especially the FM Transmitter.
In order to ensure an optimal technical quality, a tuner to monitor the transmission from the FM
transmitter is connected to studio monitors via the mixer console’s monitor selector. Monitor
loudspeakers throughout the radio studios and control rooms are Behringer B2031 Active Studio
Monitors. By many audio enthusiasts they are considered the best buy for money.
Also in this configuration a PC with radio play-back and editing software is connected to the mixing
console. The PC has substituted costly recording and playback equipment such as tape recorders but
in this configuration CD players and cassette players have been added for On-Air safety in case of
periodic PC breakdown.
The PC software used for recording, editing and controlling broadcast and sound files must be one
of the professional editions developed especially for broadcast. There are several options but
products like “VaultXpress” from Broadcast Electronics www.audiovault.com or “Simian” from
Broadcast Software International www.bsiusa.com, are both good choices. Both systems are
developed for live broadcasting around the clock seven days a week. So is the “CLAN” software
from www.creamware.com
.
A common feature for all the professional systems is that all sound files (music, interviews,
commercials or entire programmes) are kept on a separate files server with access from all editing
platforms. In practical terms it means that reporters/producers can finalise programmes on any of
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