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the computers in the station and store the material in the central server. Then the programme host
can find it at any time and play the programmes from the computer in the on-air studio.
It should be noted that all these professional
systems work only to its full potential in
combination with professional sound boards
from Digigram (www.digigram.com), Audio
Science from www.bsiusa.com or Luna from
www.creamware.com.
The latest feature in radio station automation
software is the capability to let producers make
voice-tracking for a music programme via the
Internet regardless of the physical location of
the producer.
Fig.24: User interface of VaultXpress
An example: A radio station in Kampala, Uganda has 20 songs scheduled for a program tomorrow,
but the popular DJ Mr. Haruna is in Sweden attending a course at Lund University.So via the
Internet he imports bits of the of the program from the station in Kampala. With his microphone in
Sweden Mr. Haruna records his words into his PC and fits the sountrack into the Kampala Radio
Station playlist.
When Mr. Haruna has completed his recordings, his voice sound files are sent via internet back to
Uganda and saved in the server of the radio station, and the next day the music and Mr Harunas
voice will be broadcast as if Mr. Haruna was sitting in Kampala doing a live programme. See
www.rcsworks.com also for full scale Radio Automation.
Fig.25: RCS works.com radio software fo Internet VoiceTtracking.
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