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2 TECHNOLOGICAL DEVELOPMENTS
2.1 General Trends
Only a decade ago, professional or semi-professional audio and video equipment was highly
specialised – and very expensive! The professional portable tape recorders used by most national
broadcasters would cost more than 5.000 US$ and the studio equipment was even more expensive.
Community stations would have to work with the cheaper cassette recorders, but even a decent
quality cassette recorder would cost more than 1.000 US$. Furthermore, the advanced broadcast
machines required highly specialised maintenance, and hundreds or maybe even thousand of
expensive Studer or Revox recorders stand idle in radio studios in the developing countries because
it has not been possible to get the essential spare parts.
The explosive development of digital consumer products, however, has changed this situation
completely. Compact Discs – or CD’s as they are now known to everybody – give a significantly
better sound quality than even the best of the old tape recorders, and the CD’s can be played over
and over again without loosing quality like the cassette tapes, which simply loose the layer that
contains the recordings. CD-players are also available at prices far below the cost of good cassette
players – and at a fraction of the price of a professional tape player/recorder.
This is just one example of the general trend that the quality of the consumer product is so good that
these machines replace the specially designed profession equipment. In the TV industry, the small
DV cameras, which can be obtained for 1.000-2.000 US$ are replacing professional cameras, which
cost up to 50.000 US$. And today standard computers equipped with appropriate software can
perform all the editing tasks, which could earlier only be executed in highly specialised Radio or
TV editing suites. An external soundcard, which costs less that 200 US$, can turn any standard
computer into a recording and editing facility far more advanced than a normal radio studio built in
1990.
This general technological development has a number of positive effects. First of all the equipment
has become drastically cheaper, because we are now talking about standard mass products, which
can be bought in practically any country in the World. Secondly, daily running costs are reduced
considerably because it is no longer necessary replace recording tapes with short intervals.
Finally, maintenance costs are reduced dramatically because the new digital equipment has fewer
mechanical moving parts, which would otherwise wear and tear. Once a song or a radio programme
is stored in a computer hard disc no mechanical parts except the hard disc itself must move in order
to play the programme. Computer hard discs do break down and they do so relatively often – but a
120 Gigabyte replacement disc will cost less than 100 US$, and it only takes a few hours to learn
how to replace a hard disc. There is no need for several years of training as a broadcast engineer.
2.2 The Modern Radio Studio
The brain in any modern radio studio is a computer. The sound parts can come from a number of
different sources such as CD’s, music cassettes, tape or Mini-Disc recordings, other computers or
downloaded Internet files – or you can record your interview or song directly into the computer.
Any modern standard computer can perform very complicated editing tasks as long as it is equipped
with appropriate editing software and an interface (a sound card), which allows you to connect a
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